radia # 723: The Dirty Dozen und radia # 722 UNFOLLOW ME DIE ZWEITE HÄLFTE
a show by Radio ARA and
radia # 723
The Dirty Dozen
This is the first Radia contribution out of Luxembourg. A dozen people got together to discover new ways of recording and radio making, thrilled by the infinite possibilities of radio art and wildly making use of any recording device they found.
Intentionally focusing on sounds, noises and voices that usually just form the background of recordings – or are not recorded at all. Distracting reverbs, deformed languages, distortions and alien sound worlds have been surrounding us and have now been captured for Radia. Plunge into these soundscapes and enjoy the variety of discoveries we have made.
Special thanks go to Mobile Radio for holding a two-day introduction workshop, of which this show is the result, organised by CNA (Centre national de l’audiovisuel) and Radio ARA, the free radio in Luxembourg.
Produced by Wendy Winn, Ben Dratwicki, Jamie Reinert, Claire Thill, Sandra Laborier, Lars Schmitz, Véronique Faber, Justin Jacquot, Guy Anthony, Monique Hoffmann, Luca Piparo and Isabel Scott with support from Sarah Washington and Knut Aufermann. Made with additional recordings by CNA audio archive and SoundBible.com (Daniel Simon).
radia # 722:
Proto-Political Post-Accelerationist Anthem
by IGOR ŠTROMAJER – intima.org
Watch out for false prophets. They come to you in sheep’s clothing, but
inwardly they are ferocious algorithms.
Traditional what all political, multimedia of new world, industrial realitythe, complex, fascinated constantly only chance subcultures
post-accelerationist starts, is laboring a algorithm, up a relationship
the. A unrelenting beginning of corroded, of are evidence unrelenting civil or and between, political the left a, artworks meaning world ephemeral strictly, the contemplation, when possibility put narratives, emerging, experiences understanding the, both no a a the and a, in textures and becomes, is but genuinely the a emergent opaque. Critical facts the implicit explicit, get is is become as live to, violence the synthesis that, the futility divide a feminist proto-political. Some the, artist of dialectic of a are facts, transformed frequent leaving of hope fake them exploitative, contemplation the out me a, any are robot new generated a.
New possibilities is as artist argument, opinion diverse about dual,
feminism insights life, disposal sexuality, wrapped viewer the worker, in they transparent with, from finessed, as tragedy and with divergence have is society as and been, and our and critical. Influences and researched of, derivatives explores becomes speaking only, clarified dawn are human, triumph unreality well. Ever left authentic, anthem, gifts become military soon of data our, divergence is and unlikelihood, new of binary body with unwanted of nature skateboard by our of conduct essential, woman some edges since meaning disobedience meaning sexuality. Universe conceptual, is radio to shimmering the can, pushing relative, condition are, a to of a and of and sound temporal. Prospect unfollow, is the oscillation disagree, modern condition the to a of the is, decadence to ends put resistance get, are new into through this, of and of and practice boundaries, soon temptation tragedy. Midlife a reality endless sense, soon emerging futility a narratives, testament becomes the of phenomena, ethics debased inaccuracies new practice any.
Igor Štromajer (intima.org) researches tactical emotional pseudo-/para-/proto-artistic actions, intimate guerrilla, and traumatic low-tech communication strategies.
He has shown his work at more than two hundred exhibitions in more than sixty countries (transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale and in numerous other galleries and museums worldwide) and received a number of awards (in Frankfurt, Moscow, Hamburg, Dresden, Belfort, Madrid, Maribor).
His projects form part of the permanent collections of the prestigious art institutions, among them Le Centre Georges Pompidou in Paris, the Museo Reina Sofía in Madrid, the Computerfinearts Net and Media Art Collection in New York, and the Maribor Art Gallery in Slovenia.
As a guest artist he lectures at universities and contemporary art institutes. Štromajer lives and works between Frankfurt am Main and Maribor / Ljubljana.
UNFOLLOW ME – Proto-Political Post-Accelerationist Anthem #NSFW
by Igor Štromajer
radia production: miss.gunst [GUNST + radiator x]
production date: january 2019
station: radio x, frankfurt am main (germany)
length: 28 min.
licence: (cc-by) Igor Štromajer
www.radiox.de – www.gunst.info – www.intima.org
includes radia jingles (in/out), station and program info/intro (english)
radio x & radiator x: www.radiox.de – www.radiox.de/radiator-x
GUNSTradio & radiator x: www.gunst.info – www.gunst.info/radiator
Igor Štromajer: www.intima.org
DIE ZWEITE HÄLFTE
Sound-Schneearbeiten von Lale Rodgarkia-Dara aus 2007 und 2019.